Alexis Korner Memorial Concert Vol.1 ~ Vol.3
This album is dedicated to Alexis Korner, a man who was a catalyst for the development of British Blues Music and who's passion for music made him unique.
Alexis Korner
died on 1st January 1984. Ten years later a memorial concert was held at
Buxton Opera House to raise funds for the Beechwood Cancer Care Centre. So
successful was that concert, it was decided to repeat the exercise this year,
and let the wider world share in the experience by recording the concert and
releasing a three volume CD set.
Recorded at Buxton Opera
House 21st May 1995
Recorded by: Fleetwood
Mobile, London, England
Engineer: Tim Summerhayes
Assistant Engineer: Michelle
Reynolds
Mixed at: Cavalier Sound and
Vision, Stockport, England
Mixing Engineer: John
Harrison
Produced by: Norman Beaker
and Harry Lea for Active Music Festivals
Executive Producer: Del
Taylor
Photos: David Marsden
Sleeve Notes: Harry Shapiro
Released in 1995, Indigo Records CD (IGOCD 2050, 2051,2052)
Artists and production personnel donated their services, and Indigo Records supported the Beechwood Cancer Care Centre and the McMillan Nurses.
Volume 1
Jack Bruce
1. Neighbour Neighbour (Valier) 5:06
2. Born Under A Bad Sign (Jones/Bell) 7:47
3. White Room (Bruce/Brown) 6:08
4. Sittin' On Top Of The World (Cater/Jacobs) 6:10
5. Sunshine Of Your Love (Bruce/Brown/Clapton) 6:47
Jack Bruce (vocals, bass);
Dick Heckstall-Smith (saxophone); Norman Beaker (guitar, backing vocals); Tim
Franks (drums); Dave Bainbridge (keys)
Jack Bruce/Paul Jones
6. Sonny Boy Williamson (Jones/Bruce) 2:49
Jack Bruce (Vocals, bass); Paul Jones (vocals, harp)
Paul Jones
7. Room And Board (Jones) 3:03
8. Not Me (Jones/Toffoletti) 4:14
9. Blue Collar (Scott-Heron) 6:25
10. Everyday I Have The Blues (Chatman) 6:29
Paul Jones (vocals, harp);
Norman Beaker (guitar); Andrew Shelley (slide guitar); Lenni (sax); Dave
Bainbridge (keys); Dick-Heckstall-Smith (sax); John Price (bass); Tim Franks
(drums); plus on track10 Alan Skidmore (sax); Dick Heckstall-Smith (sax)
Norman Beaker Band
11. Cross me Off Your List (Beaker) 6:21
Norman Beaker (vocals,
guitar); Andrew Shelley (guitar); Lenni (sax); Dave Bainbridge (keys); John
Price (bass); Tim Franks (drums)
Brian Knight/Toni Vines
12. Honey Bee (Waters) 3:49
Brian Knight (slide guitar); Toni Vines (guitar)
Tony McPhee
13. Groundhog Blues (Davenport) 4:29
Buxton '95 was held on Sunday 21st May and as before it
was a great coming together of musicians who hadn't seen each other for a long
time, in some cases twenty years or more. Pre-concert it's crocked finger
afternoon tea, post concert something stronger, but all in the genteel environs
of the Palace Hotel. Not that this stops Mick Abrahams regaling us with tales
from the less than PC world of Stevie Marriott and I lose count of the number
of times Alan Skidmore's tongue is trodden on as 'rock women' sashay across the
foyer.
On stage, the somewhat haphazard rehearsals and sound
checks are all that's needed for this phalanx of seasoned musicians. For them,
the blues is like a warm bed – something you can slip into and know you are at
home.
Jack Bruce is well received, launching into 'Neighbour
Neighbour' an old crowd pleaser from Graham Bond days, Albert King's 'Born
Under A Bad Sign' and then three Cream favorites guaranteed to put go faster
stripes on the zimmer frame of any aging hippy.
Jack is joined by the ever ebullient Paul Jones for a duo
rendition of their little heard eponymous anthem to a great harp players Sonny
Boy Williamson. Paul takes over for a solo 'Room And Board'; his own 'Not Me'
and a tasty version of Gil Scott Heron's 'Blue Collar', his strengths as a
vocalist and harp player are often overshadowed by his skill as an entertainer
and frontman for that rarest of phenomena, the successful British blues band.
Norman Beaker, a veteran of the British blues scene from
the time when you couldn't get a gig unless you spat at the audience, leads his
own outfit which doubles as the Indigo Records house band. 'Cross Me Off Your
List' allows the band to stretch out, driven with great aplomb by drummer Tim
Franks who gets a tick and gold star all to himself for being on stage as
backing drummer throughout most of the five hour concert.
With the arrival of first Brian Knight with Toni Vines and
then Tony McPhee, the volume might come down, but not the passion and
intensity. Brian Knight is a fine slide guitar player, leader of one of the
great 'could have beens' of rock history, Blues By Six, an early sixties band
featuring Geoff Bradford and Charlie Watts. Tony McPhee brings Volume One to an
end, just a man and his guitar, the ghost of Muddy Waters lurking on his left
hand side.
(Harry Shapiro)
Volume 2
Chris Farlowe
1. I Think It's Going To Rain Today (Newman) 3:08
2. Love Me Baby (unknown) 3:21
3. Stormy Monday (Walker) 5:47
Chris Falowe (vocals); James Litherland (guitar); Mick Abrahams (guitar); Norman Beaker (guitar); Dave Bainbridge (keys); Dick Heckstall-Smith (sax); Lenni (sax); John Price (bass on Track2); Colin Hodgkinson (bass on Track3); Tim Franks (drums); Pete Brown (percussion)
Zoot Money
4. Wild Women And Desperate Man (Korner/Thorup/Edwards) 4:41
5. Geneva/Good Luck Soul (Trad.arr.Korner) (Hudson) 5:34
6. Captain America (Korner/Edwards) 5:51
7. Let The Good Time Roll (Theard/Moore) 7:20
Zoot Money (keys/vocals); Colin Hodgkinson (bass); Ray Warleigh (sax); Alan Skidmore (sax), Tim Franks (drums)
The Detonators
8. She's Dynamite/Please Try To See It My Way (Whittaker) (Whittaker) 6:58
9. Morning Glory (Ellington/Stewart) 2:07
Norman Beaker Band
10. Cry To Me (Beaker) 3:54
James Litherland
11. Another Time Baby (Litherland) 2:53
James Litherland (guitar/vocals); Norman Beaker (guitar); Dave Bainbridge (keys); John Price (bass); Tim Franks (drums); Lenni (sax)
Mick Abrahams
12. Billy The Kid (Trad.arr.Abrahams) 4:25
Mick Abrahams (guitar, vocals); Pete Brown (percussion)
Tony McPhee
13. Death Letter (House) 4:44
Brian Knight/Toni Vines
14. K.C. Moan (Blackman) 3:20
Brian Knight (slide guitar, vocals); Toni Vines (guitar)
Dave Berry
15. Route 66 (Troup) 3:13
Dave Berry (vocals); Brian
Wood (lap steel guitar); Norman Beaker (guitar); Andrew Shelley (guitar); Dave
Bainbridge (Hammond organ); Mike Sanchez (piano); John Price (bass); Tim Franks
(drums); Lenni (sax)
Buxton '95 was held on Sunday 21st May and as before it
was a great coming together of musicians who hadn't seen each other for a long
time, twenty years or more in some cases. Many stood in the wings watching in
appreciation of their fellow musicians repairing afterwards to the old world
splendour of the Palace Hotel to relive tales of the road. Terms of endearment
were reserved for managers past; "And if I ever lay my hands on that git ..."
This volume kicks off with the biggest voice in the show
turning in what is possibly the star performance of the night. Chris Falowe's A'Capella
on 'It's Going To Rain Today'. Chris is most adept at picking just the right
songs for his voice – 'Stormy Monday' could have been written for him.
Zoot Money pays the most up front tribute to Alexis by
showcasing four songs closely associated with the great man including an Alexis
favorite 'Doggone My Good Luck Soul' plus a rousing version of 'Let The God
Time Roll'. Zoot's deceptively cool roustabout style belies an acute sense of
timing and emphasis without which, of course, there ain't no swing. Great New
Orleans shuffle beats on 'Wild Women And Desperate Man' from drummer Tim Franks
who carried off the 'Man Of The Match' award for being on stage almost for the
duration of the five hour concert. Too often, we think of blues as simply a
vehicle for dexterous lead guitar forgetting how much weight and class the horn
players can bring to any blues performance amply demonstrated on Zoot's songs
by Alan Skidmore and Ray Warleigh.
The Detonators (formerly the Finger Poppin Daddies) so
impressed Indigo that they bought the band. Well, not quite, although, I hope they're
checked the small print. Norman Beaker's self-penned 'Cry To Me' featuring his
own band is followed by a trio of British guitar heroes. James Litherland was
Colosseum's guitarist before Dave Clempson, and played on a number of sessions
in the 1970's including the first album of a very promising band called Bandit,
but otherwise seem to have been frustratingly low profile for such a robust
talent. Mick Abrahams gets a big cheer for his powerful 'Billy The Kid' and
rightly so. He shot to fame with Jethro Tull then walked away from truckloads
of dosh when he felt it was becoming the Ian Anderson Show. Genuinely without
regrets, Mick carries a torch for Alexis, regarding him very much as a father
figure who proffered sound advice when the chips were down. A stellar performer
whose playing continues to thrill. Unassuming Tony McPhee saves it all for the
stage and a vibrant version od son House's 'Death Letter'. Tony is one of many
guitarists who, once away from the demands of arena rock, files gratefully back
to the roots. Unlike Tony and Mick, stardom never did beckon for Brian Knight,
but he kept the faith in a way that his mentor and panel beating boss Cyril
Davies would have gruffly approved.
Dave Berry? You mean the Dave Berry, the
geezer in leather trousers who used to wind the mike lead around himself on
Ready Steady Go? The very same. He rang concert organizer Norman Beaker asking
to be on the show, recalling the days before the hits when, as he shows here,
he could cut the R&B rug with the best of them.
(Harry Shapiro)
Volume 3
Blues Shouter
1. Three Hundred Pound Of Joy (Dixon) 3:20
2. Big Ten Inch Record (Weismantel) 3:40
3. Don't Play That Song (Ertegun/Nelson) 5:06
Brian Knight/Toni Vines
4. Meet Me In The Bottom (Weaver) 2:58
5. Hard Travellin' (Knight) 2:36
Brian Knight (slide guitar, vocals); Toni Vines (guitar)
Norman Beaker Band
6. No Reason To Believe In Me (Beaker) 4:44
Norman Beaker (guitar, vocals); Andrew Shelley (guitar); Lenni (sax); Dave Bainbridge (keys); John Price (bass), Tim Franks (drums)
Mike Sanchez
7. Be Careful (Graham) 3:10
8. Reconsider Baby (Fulson) 3:25
9. Down The Road Apiece (Raye) 4:26
Mike Sanchez (keys, vocals);
Lenni (sax); Norman Beaker (lead guitar); Andrew Shelley (rhythm guitar); John
Price (bass); Tim Franks (drums)
Dave Berry
10. Just A Little Bit (Thornton/Thompson/Bass/Washington) 3:04
Dave Berry (vocals); Brian
Wood (lap steel guitar); Norman Beaker (lead guitar); Andrew Shelley (guitar);
Dave Bainbridge (Hammond organ); Mike Sanchez (piano); John Price (bass); Tim
Franks (drums)
Tony McPhee
11. I Can't Be Satisfied (Waters) 2:08
Herbie Goins
12. Hoochie Coochie Man (Dixon) 9:00
13. Shuffle (Beaker/Goins) 5:06
14. Woke Up This Morning (King/Taub) 7:10
Herbie Goins (vocals); Dick Heckstall-Smith (sax); Chris Barber (trombone); Umberto Sacchi (guitar); Norman Beaker (guitar); Dave Bainbridge (keys); John Price (bass); Lenni (sax); Tim Franks (drums)
Musicians can be great friends, but hardly see each other
unless they pass in the night at the motorway service station or airport
departure lounges. So this concert was a great coming together, a chance to
catch up, swop insults and feel worthy all at the same time.
This volume opens with a cracking singer who started life
as Val Harris and now belts out ballistic blues under the moniker of Connie
Lush. Her performance on admirably risqué songs like "Three Hundred Pounds Of
Joy" and "Big Ten Inch" exudes grit and passion and while purists might blench,
the blend of raunchy female blues vocal and edgy rock guitar can be richly
compelling. "Don't Play That Song For Me" shows the interplay between Connie
and guitarist John Lewis to best effect, leaving one aching for more. If there
was any justice Connie Lush should be dripping with all the accoutrements of
success.
Brian Knight and Toni Vines bring a taste of blue collar blues
to the night's music. Brian's got that real dusty, road weary slur – you can
just see him landing up in Dogbreath, Nevada with just hiss guitar, looking to
make a few dollars singing the blues. And as he stands by the roadside, a customised
pick-up races past with Norman Beaker's "No Reason To Believe In Me" blaring
from the stereo, driving music for cool desert nights.
Big Town Playboy keyboardist Mike Sanchez has rubbed
shoulders with the High and Mighty – an album of Gene Vincent covers with Jeff
Beck called Crazy Legs and a guest spot playing at Eric Clapton's wedding. Here
he takes center stage with the Norman Beaker band and some of that foot
stomping boogie woogie piano that Alexis loved so much. The band stick around
for the return of Dave Berry with Roscoe Gordon's "Just A Little Bit", and then
the stage clears once more for Tony McPhee and his shimmering slide guitar for
a haunting version of Muddy Water's "I Can't Be Satisfied".
Last but no stretch of the imagination least comes the
magnificent Herbie Goins. A regular vocalist with Blues Incorporated, he was
the star on what was probably Alexis' finest album "Live At The Cavern", the
closest vinyl ever came to expressing the power of the band in full flight. Not
that the band remembered too much about it; cosmic be vying pre-concert
rendered the rest a misty blur, but it still sounded great. For many of the
audience at that time, Herbie was the first genuine black American blues singer
they had ever seen and whenever he sang, the band went to another level. Here
he fronts an all-star band including Chris Barber and Dick Heckstall-Smith with
that loose limited delivery that help defined 'cool' all those years ago.
Alexis was never comfortable in the studio. Live was him
milieu; he loved the immediacy, the audience reaction, the uniqueness and
variety of each single performance. He would have love this concert and his
friends did him proud.
(Harry Shapiro)